Tempo

I’ve been working on a song – a song for an outside client whose album I’ve been producing and orchestrating.  It hasn’t been working.  I’ve tried several different approaches – woodwinds, guitar based, drums/no drums, stronger/lighter, and nothing I did seemed to bring the song to its musical realization supporting the lyric, content and intent of the song.

And it’s a good song.  I know it is, because it’s been running around in my mind for several weeks now.  I wake up singing it and wonder for a moment where it came from and then realize, “Oh yeah, that’s that song!”

The client keeps coming in when I’m finished with my latest iteration and she sits and listens and nods her head as I play it for her and then when it’s through we nod and agree that we’re not there yet.

In the original session, her pianist and writing partner came in and recorded the piano and she the scratch vocal.  They were kind of ornery with each other when usually they’re a happy team.  I stayed pretty quiet as he kind of ran roughshod over her as they worked and he laid down the piano part and she sang the scratch vocal.  It was not an inspired session.  At one point I remember exclaiming kind of in fun, “Boy, you two are like an old married couple.”  The session was more about their momentary troubles than the song itself and the song was basically a love song!

As he got more and more depressed and actually meaner to her, she became nervous and hurt, embarrassed and withdrew into an uncustomary quiet.  But we were getting the work done.  He’s a fine pianist and though he was not particularly inspired that day, his playing was solid and mistake free.

When the session was over I was relieved to move on in life.  I began, several days later to orchestrate the song using his piano track and her scratch vocal as a base and it all seemed to go downhill from there.

It has seemed that no matter what I tried with this good solid song, I could not seem to capture the spirit of the love relationship in the song.  I’m sure, by now, you’re all thinking, “Well, no wonder, Pete.  There was no love in the song’s performance.”  True, but there is a lot of love in the song’s writing.  The song comes with huge armloads of love generated by the lyric, melody and harmonies contained therein.

I woke up yet again this morning.  The song was on my mind.  I lay there in my half sleep as it drifted through my mind, free from its troubled past, centered in its character and intent and simply expressing its original concept of one loving another.  Then I got it!

The recording I was working with was too fast!  The tempo was simply going faster than it really wanted to go.   I knew this because the tempo in my head this morning was about 10 BPM (beats per minute) slower than the track I’ve been working with.

The intent was rushed on the recording because the performers were not centered, the pianist really wanted to finish and go home and the singer’s mind simply wasn’t focused on the love of the song, but rather the awkwardness of their present relationship.  At the time the song was new to me, so I was more focused on the technical – watching the meters, getting the piano recorded correctly and laying down the vocal with no distortion.  The rest of my mind was struggling with their troubles and my concentration was divided.  Besides, they wrote the song!  They ought to have a good feel for the right tempo.

But they didn’t.  That morning in the studio, they weren’t centered in love, they were both in a hurry to get through and out of each other’s presence and so the real “doing” of the moment produced a rushed, unfeeling track and confused vocal performance.

Art reflected life.

Going too fast.

How many times do we say that to ourselves?  “Slow down, Pete, you’re going too fast.”

It all got me to thinking…

I’ve been working on a life.  It hasn’t been working.  I’ve tried several different approaches – and nothing I’ve done has seemed to bring this life to its realization supporting the meaning, content and intent of the life.

And it’s a good life.  I know it is, because it’s been running around in my mind for many years now.  I wake up singing it every morning and wonder for a moment where it came from and then realize, “Oh yeah, that’s my life!” 

In the original concept, the life was laid out ahead of me in a pretty clear plan and the basic construct of this plan worked well, but as I’ve gotten more and more into it, it’s taken on a much bigger picture – probably bigger than I could handle.  And things have started to go south for me. 

So many projects, so much to do, so split in my daily activities and so often behind the ol’ eight ball.  It (the life) was exciting and the accomplishment was demonstrable, but the happiness was only found in the song writing, the music making.  The rest was far too pushed, far too rushed trying to get a massive list of things finished so I could keep up with the massive list accumulating every day, every hour, every minute.

I woke up yet again this morning.  The life was on my mind.  I lay there in my half sleep as it drifted through my mind, free from its troubled past, centered in its character and intent and simply expressing its original concept of one loving another.  Then I got it!

The life I was leading was too fast!  The tempo was simply going faster than I really wanted to go.

The intent was rushed in this life because the performer was not centered, the doer really wanted to just finish and go home and simply wasn’t focused on the love of the life, but rather the awkwardness of the rushing from one moment to the next.

I’m going to slow it down now and get back in the groove.  This life is a love song and that love has to be reflected and can only be reflected if first I am centered and in the moment, not in a hurry, not caught up in the madness of the scramble, but rather in the true rhythm of the moment. 

I’m going to find a new tempo.

Life reflecting art.

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